In 1772, Joseph Haydn and his musicians were spending a long summer performing at the country retreat of Hungary’s Prince Esterhazy. The musicians were restless and wanted to go home, but Esterhazy expected them to stay there as long as he did.
To change the prince’s mind, Haydn wrote a symphony. In the finale, each player, one by one, ends his music, snuffs out his candle, and exits—until only two violinists are left (one being Haydn) to quietly end the piece. Now known as the Farewell Symphony, it persuaded Esterhazy to release the troupe. [1]
The prince’s failed effort to control the musicians was about as heavy-handed as European governments got with respect to music in those glorious days between, say, 1700 and 1820. (Think, from Vivaldi and Telemann to Mozart and Beethoven.) The results were magnificent.
Over that period musical performances were enriched and diversified on multiple dimensions. The piano replaced the harpsichord, the cello replaced the bass viola da gamba, Bach brought the organ’s sounds to new heights—to mention just a few changes. Ways to share music—orchestras, quartets, sonatas, concertos, oratorios, and operas—proliferated. The styles we know as Baroque, Classical, and Romantic began to solidify, and the stunning masterpieces that we love today emerged.
